Natalie Hegert reviews three exhibitions in Lubbock that highlight and exalt the invisible labor done by woman artists.
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Review
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William Sarradet hace perfiles de los artistas, curadores, voluntarios y otras personas que dan vida a la comunidad del arte del Sur de Texas.
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Jessica Fuentes writes about contemporary female artists whose works explore traditional female roles, important historical women, performance art, and the female body.
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Michael Flanagan writes about Mark Flood's exhibition at Reeves Art + Design in Houston.
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Review
From Ghana to South Texas: “Japheth Asiedu-Kwarteng: Ginger is Carrot” at Texas A&M University-Kingsville
by Liz Kimby Liz KimLiz Kim writes about the work of Texas-based, Ghanaian-American artist Japheth Asiedu-Kwarteng.
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Christine Gwillim on the work and philosophy of postmodern choreographer and dancer Deborah Hay.
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In the second part of his portrait series, William Sarradet profiles the artists, curators, volunteers, and other people who enliven South Texas' art community.
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This week: a world-class collection show in Dallas, Contemporary Art Month takes over San Antonio, an artist highlights his "sputtering attempts" to create digital prints in Houston, and more.
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Caleb Bell recalls his recent visit to Lumiere, a mobile tintype portrait studio in Austin.
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Review
Review: Gina Gwen Palacios’ “Vale La Pena/It’s Worth It” at the Branigan Cultural Center, Las Cruces
by Hannah Deanby Hannah DeanHannah Dean on an exhibition that uses family history and archives to address issues of othering, belonging, narrative, and place.
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Review
Review: “Mara Held and Julia Kunin: Kaleidoscope Eyes” at McClain Gallery
by Doug Welshby Doug WelshDoug Welsh reviews an exhibition of hypnotizing ceramic sculptures and paintings in Houston.
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Jessica Fuentes and William Sarradet discuss the art they saw and the art spaces they visited in Laredo, McAllen, Corpus Christi, Rockport, Harlingen, and beyond.
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Emma Ahmad reviews the exhibition "Stack and Smoosh," curated by Benjamin Terry and featuring work by Claire Kennedy, Niva Parajuli, and Megan Reed.
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Barbara Purcell reviews a collaborative exhibition between artist and musician Daniel Johnston and his sister, Marjory, at Lydia Street Gallery in Austin.
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This week: an international traveling exhibition featuring birds in Rockport, a new gallery debuts in Dallas with a solo show of a San Antonio-based artist, an annual exhibition featuring works by Core Program residents in Houston, and more.
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Review
A Line’s Wisdom: Pleasure and Preparation in Robert Motherwell’s “As Fast as the Mind Itself”
Rosa Boshier González reviews the Menil Drawing Institute's exhibition featuring four decades of work by Robert Motherwell.
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Today: Abstracted maps
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Valentin Diaconov reviews a two person exhibition by Antonia Kuo and Mariah Robertson at F in Houston.
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Jessica Fuentes reviews "Soy de Tejas: A Statewide Survey of Latinx Art," a show curated by Rigoberto Luna and on view at Centro de Artes in San Antonio.
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Review
Review: Like No One Else: Alexis Pye at Lawndale Art Center, Houston
by Doug Welshby Doug WelshDoug Welsh reviews artist Alexis Pye's solo exhibition at Lawndale Art Center.