The New Regen Projects exhibition space opened in late September in an area of Los Angeles that can best be approximated as south Hollywood. At over 10,000 square feet and designed by architect Michael Maltzan, the space meets and exceeds the expectations of ambitious and pretentious (I use this word as a positive) upper echelon [...]
Author: Mario M. Muller
With 27 years as an Artist, Educator and Curator under my belt, I know what I like and why I like it.
I hold a degree in Filmmaking and Fine Art from Northwestern University where my primary mentor was Ed Paschke. I’ve also been fortunate enough to have master classes with Roy Lichtenstein, Wayne Thiebaud, Esteban Vincente, and Elaine de Kooning.
A born and bred New Yorker, I live and work in Los Angeles with my wife and four year old son.
As a writer of cultural criticism, my primary subjects have been Painting, Photography and Film. My film reviews appeared regularly in several Mid-western publications in the 1990’s while my art criticism has been exclusively published in New York and Los Angeles.
Dovetailing neatly with my critical interests, I have curated numerous exhibitions for corporate, gallery and non-for-profit venues. Essays have accompanied most of these shows.
And as an educator I have taught as a guest lecturer at the School for Visual Arts, International Center for Photography and the 92nd Street Y, all in NYC.
The concept of an exhibition being perfect for a summertime setting might too easily be misinterpreted as a slight. It is not. The paintings and drawings by Matthias Düwel currently on display at Martha Otero Gallery capture the high key color and sartorial swing that does indeed seem suited for the ratatattat of August. If [...]
Photography’s greatest Achilles heel may be that it’s too damn illustrative. How then to wrestle the poetry back into a medium which explains so much and leaves so little for interpretation? I was reminded of this re-occuring struggle when I saw, again, the emotive and evocational prints of James Fee at Craig Krull Gallery. Fee, [...]
The thing about group shows, especially in the long dog days of summer, is that they can drive you to distraction. While the art world in general has become a 365 days a year affair, many galleries still work on a “cultural season” of September through May. Summer group shows might not be the best [...]
Pick of the Week for July 25th, 2012 Granted, to write a rave review of a show closing in four days is regretable. But when the art work on display and the curatorial excellence is so remarkable, it would be more of a crime not to sing its praises. The exhibition in question is the [...]
Carl Andre’s star is ascendant. Again. This is ironic because the artist has long ago earned his place in the canon of art history. But he hasn’t been much of a presence on the gallery scene. Slowly but surely we are seeing Andre pieces reemerge in the exhibition landscape, no doubt catalyzed by the fact [...]
Pick of the week for June 25th, 2012 Frank Stella has created distinct bodies of work every decade for the past 50 years. His working methodology has defined the template of the contemporary artist-variations on a theme. Whether by his artistic nature or by design, this approach has all but become de rigueur in MFA [...]
Dialogues between Fine Art and Architecture abound this month in Culver City. No less than three galleries opened June 2nd featuring Architecture driven work. The media harnessed are diverse, and the results are equally varied. Amy Park At Paul Kopeiken Gallery Amy Park’s Watercolor renditions/homages to the late great Julius Schulman are intoxicating. Anyone familiar [...]
Pick of the Week for May 29th, 2012 Good things come in small packages. The best example of this bon mot is an intimate exhibition at the Norton Simon Museum titled Lessons of the Cherry Blossom. A scant 16 color woodblock prints are on the display in a room commensurately intimate. But no more space [...]
Pick of the Week for May 21st, 2012 Alexander Calder is essential. A wonderful exhibition at L & M Arts in Venice handsomely makes the case for Calder’s continuing relevance, both historically and contemporaneously. Here then, a couple of reasons for Calder’s imminence and the urgency to witness, first hand at L & M, the [...]