Los Angeles Modern Auctions in Van Nuys has a stellar reputation for acquiring first-rate material and putting it on the block. Their particular specialty is design, furniture and fine art with a distinct mid-century modern feel and provenance. This Thursday, Friday and Saturday the 20th, 21st and 22nd of February respectively affords Angelinos an uncommon […]
Author: Mario M. Muller
With 27 years as an Artist, Educator and Curator under my belt, I know what I like and why I like it.
I hold a degree in Filmmaking and Fine Art from Northwestern University where my primary mentor was Ed Paschke. I’ve also been fortunate enough to have master classes with Roy Lichtenstein, Wayne Thiebaud, Esteban Vincente, and Elaine de Kooning.
A born and bred New Yorker, I live and work in Los Angeles with my wife and four year old son.
As a writer of cultural criticism, my primary subjects have been Painting, Photography and Film. My film reviews appeared regularly in several Mid-western publications in the 1990’s while my art criticism has been exclusively published in New York and Los Angeles.
Dovetailing neatly with my critical interests, I have curated numerous exhibitions for corporate, gallery and non-for-profit venues. Essays have accompanied most of these shows.
And as an educator I have taught as a guest lecturer at the School for Visual Arts, International Center for Photography and the 92nd Street Y, all in NYC.
Robert Therrien might best be considered the Steven Wright of the art world. Starting in the late eighties, Wright delivered a dry conceptual stand up humor, sometimes dark and often twisted. The logic of his one-line jokes was to make you appreciate the absurdity of contemporary life and the impotence of language to describe it. […]
Los Angeles in January is as pleasant as it gets. The forecast for tomorrow is 85 degrees and sunny. The aesthetic forecast for the next couple of weeks is an artistic tsunami of art fairs spanning quite a range of quality and quantity. Here then a shoot from the hip synopsis of the pop up […]
It’s always a pleasure to witness the work of an artist who, by sheer originality and talent, has developed an iconography and stylistic vocabulary that is at once familiar and completely foreign. Familiar and foreign are not, as many might think, contradictory. Roy Dowell understands the dissonant interdependence of classic modernism and inventive, rule bending […]
Painting continues to be relevant. If one has any doubt on this subject one need only witness the strong and mysterious paintings by Leon Benn currently on exhibit at Carter & Citizen in Culver City through October 12th, 2013. There are a multitude of qualities on exhibit. Three elements that Benn has firmly in his […]
While the Fine Art Landscape is really more of a 365 days a year affair, September still feels like a renewal of promise. Perhaps our affection for the academic calendar is in our aesthetic DNA. Perhaps cooling tempertures index a return to culture. Regardless of catalytic source, here are five excellent exhibitions which will grace […]
The California-Pacific Triennial opened a couple of weeks ago at The Orange County Museum of Art. The ambitious exhibition, which runs through November 17th, is the debut of a new format that used to be the California Biennial and has morphed to include 15 artists from countries that border the Pacific Ocean. The premise that […]
I’m a sucker for sidebars. Small boxes filled with tantalizing stats about a certain topic, augmented by a pie chart or per cent breakdown lure my eye away from a substantive narrative article almost every time. Now imagine an exhibition based on the sidebar concept and you have an approximation of Windshield Perspective currently on […]
The line between illustration and fine art becomes blurry sometimes. When this happens, both categories can benefit. The specificity and narrative potential of illustration’s paradigm can infuse fine art with a matter-of-factness so often missing. Conversely, fine art’s pretension can lend resonance to illustration’s cul de sac pleasures. This “both/and” synthesis is in ample evidence […]
The pleasures of trompe l’oeil effects are immediate. However the gee whiz marvel over the technical ability to optically deceive fades fast like the precipitous drop in earnings of a wide release film in its second weekend receipts. In a new exhibition at Ambach and Rice, Ron van der Ende races headlong towards this cliff […]