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By Gabriel Cifarelli on June 9, 2012
For decades now, a sure way for an artist to be irrelevant would be to become an abstract painter, the form having long gone the way of Existentialism, black turtlenecks and angst. At its height in the 1950s and early ‘60s, avant-gardism and abstraction were practically synonymous, but since then very few artists have attempted […]